Wednesday, June 29, 2011

Matinee der Palucca Hochschule: Today's children are ruling tomorrow's world

It's a bit weird to think that our little children are ruling the world, but this is the truth! In a few years they will physically have the power to decide of their future and of our future. This process, however, is already in progress.

Parents and society always work to create good enviroments for children, what about working to create good children for enviroments? (with enviroments I do not mean nature only but all the different aspects of society).

26/06/2011 Sunday morning - Semperoper. The Palucca Hochschule fuer Tanz has it's annual performance. The Semperoper is full, parents, relatives, friends and curious people are all there to see the show.

The students of the Palucca Hochschule are children and teenagers, not proper adults yet, but we all expect to see a great performance. To be honest the pieces to perform are not so easy!

What we are going to see on stage, it's what in future we will expect from them. They will improve their abilities and make lot of experiences, in the country and abroad, but the seed is already there, in their heart, in their soul. They are already living the future. Their way to move and behave is the mirror of what is to come in a few years. What does it mean? Well, something very easy: if we guide our children towards arts (figurative and/or performing), if we teach them the love for the Beauty, the value to work in a team and to feel a team, we will build their future and give them the correct tools to improve it and live life fully.

This is not an easy task, requires time, hard work, many efforts and waivers but the result is excellent as all the students of the Palucca Hochschule showed us.

At the end of almost two hours performance no one of them looked tired, sad or unsatisfied. They all looked happy for the work done as single dancer and as team and this general satisfying feeling could be felt by the audience. Lots of unending applauses called them back on stage many times. All the times they came back with a wider smile stamped on their faces.


Congratulations to the students, all very talented. Congratulations to the rector Prof. Jason Beechey and to the teachers for the excellent work done. Congratulations to the parents that made this possible (it's not easy today to teach children to love arts and to help them to live their dreams). Congratulations to all the people who help these children to go on and who encouraged them when they most needed support.

The base of adult life is build since we are children as we saw last Sunday morning at Semperoper.



Tuesday, June 28, 2011

Cinderella: Who says it is only for children?

25/06/2011 afternoon. Sitting in Semper 2 diretcly in the scene, I patiently wait that Cinderella starts, not knowing exactly what it's expecting me! A string on the floor delineates the space in front of me, separating the audience from the stage, a kindly request to leave the space free. A few minutes of patience and all will start I repeat in my mind...just a few minutes more and you will be guided in a new dimension, a fairy-tale demension. Actually, looking around me, I'm not the only adult here. Most of the audience is made by grown-ups. Is this Cinderella a fairy-tale for adults?



The lights are switched off, the show starts!

Three funny dancers appear on stage: they are the Stepmother and the two Stepsisters. They move like one mind in three bodies, through their excellent dancing abilities they express feelings and emotions (I always find interesting to see how dancers give voice to emotions without saying one word but using only body and mimic, not and easy job I must say!Congratulations to Raphael Coumes-Marquet -Stepmother - Claudio Cangialosi and Jon Vallejo - Stepsisters - for the great job done). This trio made me really laugh and brought me back to my childhood when all around seemed to be easy and "normal".



Copyright: Costin Radu
Then Cinderella come on scene, a beautiful and excellent dancer (Anna Merkulova). Ralf told me she is good and after seeing her dancing with my own eyes, I can only confirm she really is. Light in movements and able to communicate emotions, she made my heart beat and stop beating according to the "moment" she brought on stage.



All the show lasted one hour but to me it seemed like one day, I felt into the action and lived phisycally the turn of day and night.


All dancers made a great job! Congratulation!


What more...great scenography made of few items, leaving enough room to the performance. Lovely the funny wig weared by the Stepmother and the Stepsisters, it helped them to enter into the role.

Beautiful music, loving Tchaikovsky it could not be different!


I really enjoyed the show and at the end of it I can say that Cinderella is a fairy-tale for adults too. The desires, feelings and emotions performed on stage are part of our daily life. When we are children we do not have eyes to see them, too ingénue for them but once we become adults we recognize them and we can choose which role we want to play on the life stage, if Stepmother/Stepsister or Cinderella.

Monday, June 27, 2011

Eine Ballett-Story in vier Akten

Manchmal ist das Leben so voller Überraschungen, dass man als Mensch kaum hinterherkommt. Doch warum nicht einfach treiben lassen wie ein Surfer in der Brandung und die nächste große Welle nehmen? Was folgt ist eine spontan choreographierte Ankündigung eines überwältigenden Geburtstagswochenendes, das viel -oder soll ich sagen, alles- mit Ballett, Semperoper, und Überraschungen zu tun hat. Reichen die Eindrücke in kurzen Worten, um die Bilder zu ersetzen, die es wert wären hinzugefügt zu werden? Es ist einen Versuch wert!

24.06.2011
Es ist fünf Minuten vor 18 Uhr, auf der Suche nach Karten für Cinderella am darauffolgenden Samstag finde ich mich einige Sekunden später in der 1. Reihe in Semper 2 wieder, wo ich meine 2. Vorstellung von Cinderella mit neuem Besetzungsteam erlebe. Wieder tosender Beifall in dem kleinen Kubus, der sich wie das "hässliche Entlein" in Hans Christian Andersens Märchen zu einem "weißen Schwan" entwickelt (bei denen es auf Nähe zum Publikum und die subtilen Elemente des Tanzes stärker im Vordergrund stehen, da man sie als Zuschauer aus der 1.-3. (mehr gibt es nicht) Reihe genau erkennen kann). Semperoper besteht eben nicht nur aus dem Großen Haus, sondern besonders und in erster Linie aus dem Team, das auf der Bühne zu erleben ist. Da bietet Semper 2 ganz neue, nahe, und erhebende Momente (aufgrund der Nähe). Kaum wieder in den regenverhangenen Juniabend entlassen finde ich mich auf dem Hoffest der Semperoper wieder, freundlich aufgenommen in die Mitte der mir überwiegend unbekannten Gesichter, die die Produktionen erst möglich machen mit allem was hinter den Kulissen passiert. Doch so mancher kennt mich bereits und beim Fachsimpeln über das Färben von Stoffen erfahre ich mehr über 'Street Scene'.

Karten für den darauffolgenden Samstag konnte ich nicht ergattern, denn ausverkauft heißt ausverkauft, da hilft nur ein frühes Kommen am kommenden Abend.

25.06.2011
Mein Geburtstag ist bereits in vollem Gang, die Überraschungen geben sich die Klinke in die Hand, meine Facebook-Pinnwand füllt sich mit Glückwünschen aus Kapstadt, Vancouvers, Manila, Dresden, Rheinhessen, .... das Leben ist schön!

17:30 Uhr - Andrang vor Semper 2 - Karten für Cinderella zunächst Fehlanzeige - wir warten auf der Coach, fünf Minuten vor Beginn frage ich dann doch noch mal unschuldig nach, ob doch noch Karten vorhanden sind (nicht, dass wir "vergessen" worden wären) und zu unserer Überraschung, "Ja es gibt noch welche! Möchten Sie doch noch welche? Ich dachte, sie hätten andere Möglichkeiten gehabt." - wunderbar, wir sind drin, alles voll (war ja ausverkauft ;-)) und schon wieder auf der Bank in der 1. Reihe ein Platz am Rand - "Bist Du nicht Ralf?" ertönt es von der Banknachbarin, "Ja, das bin ich." antworte ich und schon erfahre ich, dass meine Gedanken zum Semperoper Ballett auf Twitter, Facebook und dem Blog mehr vom Ensemble gelesen werden, als ich anfangs vermutete - erneut eine wunderbare Vorstellung insbesondere von Fabien Voranger und Anna Merkulova, die erst seit Freitag in dieser Konstellation zusammen tanzen (!) - "Ein hervorragendes Team kann das eben!" (kurzfristiger Wechsel von Tanzpaaren) so mein kurzer Kommentar in Richtung meiner Banknachbarin, die sichtlich stolz ist auf ihre Kollegen - eine grandiose und immer wieder bis ins Komische gehende Vorstellung, Balletttänzer sind doch auch stets mit gehörigem Schalk im Nacken versehen, wie die "böse Stiefmutter" zum Ausdruck  bringt (da hatte jemand sichtlich Spaß :-)) - die "Überraschung" zeigte sich in den letzten drei Minuten der Vorstellung (wahre Klasse zeigt sich erst in solchen Momenten - mehr dazu im abschließenden PresencingStatus am Ende des Berichts)

26.06.2011
Erst am Vortag, als wir in der Neustadt zufällig Aaron S. Watkin (Ballettdirekter des Semperoper Ballett) und Jason Beechey (Rektor der Palucca Hochschule für Tanz Dresden) trafen, war uns bewusst geworden, dass ein weiteres Ballett-Highlight auf sich warten sollte:

Die Matinee der Palucca Hochschule für Tanz Dresden

Ganz ähnlich (mit einem Potpourri) fing meine Leidenschaft im Herbst 2010 für Oper, Ballett und die Semperoper an: mit einem Preisträgerkonzert. Diesmal eine Ballett Matinee.

Es war grandios, besonders die Vielzahl (die Palucca Hochschule für Tanz strahlt bis nach Spanien ;-)) der unterschiedlichen Stücke (Balenchines "Copèllia", Holger Beys "Vivid Whirl" (erinnerte mich in Ansätzen an die 'Jets' und 'Sharkes' in der Westside Story von Leonard Bernstein) öffneten den Kopf für Neues und Verbindung mit Bekanntem. "Ist es das, wie man zu Innovationen kommt?" (bei mir habe ich den Eindruck, dass es so ist und es sollte sich im anschließenden Überraschungskaffeeplaudern zu Dritt im Café Alte Meister (das "inoffizielle" Operncafé) zeigen.

PresencingStatus zu den letzten drei Tagen (insbesondere in Bezug auf Ballett & Semperoper)

  1. Good: Herzliches Willkommen und Gespräch beim Hoffest Semperoper; Cinderella wie stets bei Semperoper Ballett Produktionen wunderbar (!) und berührend (Anna, Raphael und Fabien sind wahre Pantomimen - neben der tänzerischen Perfektion); Matinee der Palucca Hochschule für Tanz Dresden mit großen Talenten der nächsten Jahre (unbedingt im Auge behalten und auch die Palucca Hochschule auf Facebook etwas eingehender verfolgen), Überraschungstreffen (nicht wirklich nach diesem Tweet) von Anne gemeinsam mit Angela heute im Rundfoyer in der Pause der Matinee der Palucca Hochschule für Tanz Dresden getroffen und anschließend noch zum Kaffeehausplaudern über Oper, Ballett und Co. im Café Alte Meister (hier wurden einige der zukunftsweisenden Visionen ausgeheckt zwischen drei passionierten Opern- und Ballettfans - die nächste Gelegenheit bietet sich am 01. Juli ab 22 Uhr - an neuem Ort nach 'La bohème' - für Details mich anschreiben, denn Platz ist beschränkt, Gesprächssprache Englisch - Interesse?)
  2. Tricky: wie immer die Vielzahl der Eindrücke verarbeiten (10 Finger beim Schreiben sind schon ein Segen, doch das Gehirn tickt schneller ;-)); Cinderella am Freitag - alles verlief nach Plan (nach persönlichem Gefühl etwas später begonnen als sonst) bis drei Minuten vor End - mitten in den letzten Formationen von Fabien und Anna schnarrte (manchen sehr bekannte Stimme) es von der Decke "Wir bitten, die Damen ...., Herren ...., sowie den Kinderchor auf die Bühne" (im Großen Haus lief 19 Uhr 'Carmen' an und die Ansage, die sonst regulär in den gesamten Gebäuden der Semperoper (in allen Gängen und Zimmern) ertönt, "verirrte" sich in Semper 2 (wo sie nix zu suchen hatte), die Einzigen, die sich irritieren ließen war für wenige Sekunden das Publikum - Fabien und Anna tanzten professionell und ohne dass man ihnen etwas anmerken konnte weiter, als sei die Stimme niemals erschallt (GENIAL und meine äußerste Hochachtung (!))
  3. Learned: in den ungeplanten Momenten des Lebens ("Hier ist noch eine Karte für Cinderella", nicht geplante Ansage inmitten der Aufführung, und was einem so aus dem persönlichen Leben einfällt) zeigt sich das Lernen von er überraschendsten und auch möglicherweise effektivsten Seite (auch wenn solche Momente, insbesondere, wenn man zum Haus gehört, einen in den Boden versinken lassen für einen Moment - wie meine Nachbarin) - Shit happens! If it does, cope with it in the most creative way. Stay on track and be authentic!
  4. Action: Unbedingt herausfinden [Wer kann hier helfen?], wer die Sprecherin während des Stücks 'Set in Stone' (by H. Viera) war, die während der Tanzperformance von Quantenmechanik, unerklärbaren mentalen Verbindungen, und ähnlichem sprach; ein bisschen über die Choreographen und die Stücke der Matinee recherchieren; SemperChat (Plaudern nach der Vorstellung bei einem Glas Wein was einen so bewegt hat, welche Ideen es gezündet hat) als neue interkulturelle Kaffeehaus-Initiative in Dresden entwickeln.

Thursday, June 23, 2011

When Canada hits Dresden - again at Canada Day on 1st July

This past weekend was truly a different one here in Dresden. In Neustadt on the other side of the Dresden Altstadt, the BRN (Bunte Republik Neustadt running expected 100.000 visitors crazy), at Semperoper a new premiere is on plan for Sunday, already on Saturday "La bohème" ran in front of full house. This still gives me the question, "What exactly makes some productions fill up completely to the last seat, others only gradually over time?" In this case it was a rather old production dated back to the time Semperoper had not existed in its present house in the early 1980's.

Jessica Muirhead, from Canada currently based in England announced her coming to Dresden a couple of days back - on Twitter. She's singing Mimi and her fans will have certainly picked up that message - if missed Saturday's performance there is one more on 1st of July (which happens to be Canada Day - so you can expect some activities around it - any Canadians around in Dresden?).

Rushing in late (living just a stone throw away) that evening I quickly realized a full house. "This is going to be something special." I should not be mistaken!

7pm the curtains draws aside and a wonderful set, making me feel being in Paris again (memories from the 80's racing back), appears on stage. What I sense it that I much more focus on the singing and the play on stage than on the music itself (which is more of an enable of the whole - including the audience).   Starting the feeling of the creative class not being accepted by mainstream society to what they produce the voices included the anger and disappointment. The young bohemians were struggling to get their art into a decent living were overwhelmed when one of them returned with some money - off they went to the city, like a tree leaf in the wind. Rodolfo (exeptionally played and sang by Wookyung Kim) however stayed a bit longer, and here the "field" shifted as Mimi (a neighbour) and sung by Jessica Muirhead, the Canadian lyric soprano, knocks on the door. A voice that immediately sent shivers down the spine as her voice cut through the vast opera house like being amplified by some hidden technology. Not quite so - it was her real voice! Amazing how some voices connect and resonate right away.

The plot even though put into late 19th century Paris is 21st century life feeling with the "new time" bohèmians of the digital and creative class pretty much in a similar situation. New creative work that has not had its equivalent in past centuries, decades, or years. The established business world does not appreciate -yet- the mostly creative work of that class. The use of new technologies and openly connecting with like-minded people across country, distance, and discipline boundaries seems to scare off the traditionalists. Pretty much the same could be seen on stage especially in the 2nd picture which showed the vivid activities around the café where mostly upper class where served. However between the bohèmians and the mainstream/ upper class there happened to be a new sort of connector: a boundary spanner (bound in a way to both parties). This one was Musetta, played by Junges Ensemble member Nadja Mchantaf, with exeptional play and singing - again the 'field' shifted. What has been just the bohèmians in the first picture now drew out into a larger crowd, Mimi and Musetta being the connection hubs. Accelerating and rich personal experience within the masses that circle the café in the winterly day comes to a point where reflection, deep though and looking for the ever new makes it necessary to emerge. The 3rd picture - well in the carneval time by now- based in a dark street scene actually with little action marks that next turning point in the story. Rodolfo tells his friend that he has broken with Mimi - what he does not know that she is listening to his words hidden close by.

Only a picture later we could learn that even though a binding thought still ran through Rodolfo's heart toward Mimi, that due to the sudden (yet not unexpected death) of Mimi was cut off. Cut off as quickly as one own's mind had to grasp the situation and emotionally interweave with own experiences of the past.

What are the findings after more than two hours of play in stage beamed into the "old" Paris of the day and the "bohèmian world"?

Learnings from that evening from my -again- very personal view (others in the audience may have seen it different):

  1. Good: always take the chance when offered (even at short notice) - I did not plan to see "La bohème" and quite positively surprised of what it turned out to be.
  2. Tricky: grasping the story and the "larger picture" behind it has taken (and still does) quite long.
  3. Learned: Letting go your mind off in the "open space" where memories and action on stage can connect only happens when you don't have any expectations of the evening (other than enjoying it for the joy of it); staying on the course of your dreams and inner calling (even though this seems often rough, unfulfilling, useless, or diminished by others) - not giving up and growing on the small improvements over time will pay off; coming back to my initial question up on top, I'd say it is much easier for people to visit a performance that one knows to expect - yet does that really open the eyes and hearts to new findings about how the performance connects to present reality? Perhaps there are unexplored ways to find out - let's have a chat on next time you are at Semperoper (shoot a message via Twitter mentioning #Semperoper).
  4. Action: learning to understand and act upon the fact that innovation (technological or social) always emerges on the very edge of current reality.
... what I'd really appreciate very much would be the ability to easily find actual pictures of the performances (especially the older ones like this one) to be used on a Creative Commons basis in order to transport the emotional feeling of the opera on stage here on a blog (characters alone on screen are not that thrilling and heart taking after all ;-))

Monday, June 20, 2011

Kurt Weill kommt nach Hause - an die Semperoper

Heute Abend, 19.06.2011, Premiere zu "Street Scene" von Kurt Weill an der Semperoper in Dresden. Eine Inszenierung der ganz anderen Art verglichen mit "La bohème" von Puccini, die ich gestern sah (Bericht steht noch aus).

Ganz kurz mein persönliches Fazit in bewährter PresencingStatus-Manier (vier kurze Fragen):
  1. Good: eine perfekte Einführung in das Stück durch die Chefdramaturgin der Semperoper, Nora Schmid; ein sagenhaftes Aufgebot an jungen und erfahrenen Sängern, auch Solorollen von Teilnehmern aus dem Kinderchor der Semperoper und der Staatsoperette Dresden; Bühnenbild, das überbordende Eindrücke für jeden Augenblick hatte (wohin schauen?); herausragend (gespielt und gesungen) Sabine Brohm (Anna Maurrant), Carolina Ulrich (Rose Maurrant), Markus Marquardt (Frank Maurrant); eine Sächsische Staatskapelle Dresden mit Jonathan Darlington am Pult in einem Metier, das so völlig untypisch ist (Jazz und Blues orientierte Passagen); es ist bewegend das Werk eines bereits an der Semperoper tätigen Komponisten zu erleben, der 1933 aufgrund seines jüdischen Glaubens nach Amerika auswandern musste (was er wohl gefühlt haben mag, hätte er im Publikum heute gesessen?)
  2. Tricky: in der Pause traf ich einige kulturbekannte Gesichter, die mit der Inszenierung nicht wirklich d'accord gingen, doch das ist der Reiz an Oper, wenn sie emotional aufwühlt und provoziert - man muss es eben dann auch ein wenig aushalten, mit den eigenen und fremden Emotionen hauszuhalten; Orchester war ob der besonderen Besetzung (wesentlich weniger Streicher als üblich) gegenüber manchen Stimmen auf der Bühne zu dominant (insbesondere Sabine Brohm und Valda Wilson (damals Mitglied im Jungen Ensemble und inzwischen Ensemblemitglied am Oldenburgischen Staatstheater) ind besonders zu erwähnen, deren Stimmen sich wunderbar und klar von der Musik abhoben und auf Augenhöhe mit dem Orchester waren)
  3. Learned: versuche die bekannten Kritiker der Szene zu finden in der Pause und nach ihren Eindrücken zu fragen (sie können so ganz anders sein ;-)); "unbekannte" Autoren wie Elmer Rice sind es nur solange bis man neugierig einen Blick hinter die Kulissen bei Wikipedia geworfen hat (dann jedoch ergeben die Punkte einen Sinn) [manchmal frage ich mich, vorher diese unbändige Neugier bei mir kommt ;-)]
  4. Action: .... das geschieht gerade mit diesem Kurzbericht
Some feedback from the web on yesterday's premiere (as they fly in):

- from Vancouver Opera on Jonathan Darlington (conductor)
- Rezension von Deutschlandfunk, Georg-Friedrich Kühn

Saturday, June 18, 2011

Meeting different cultures opens your mind

A few days ago I was invited to take part to a meeting about the situation in Tunisia and in Syria. Two representative of these countries were there to give us an idea from the inside.

They explaned us that these revolutions were driven by common people, not belonging to the wealthy part of the society and that also women had an important role as men. Mothers, wifes, daughters next to men.

To the question, which was the role of internet in the revolution, they both answered that internet was strictly controlled, that a sort of "copy" of facebook was created to avoid that the information were widespread to the rest of the world.

An important difference between the two countries was made very clear by the Syrian representative. The great importance the media gave to the situation in Tunisia and the lack of interest given to Syria. Why something like this is happening? Is life more important in one country than in another? Why is life not prevented and protected everywhere?

Today a part of the world is fighting for freedom, to see their rights respected.
We are lucky, other peaple fighted for us, to let us live the life we have now. We must never forget that our freedom and our rights are not due, that we have to protect them, that everybody has the right to live the life he/she has alway dreamed about.

Thursday, June 16, 2011

Ronald Coase - Forethinker of Digital Disruption?

1937 Ronald Coase wrote an article "The Nature of the Firm" (the article in question is included in this conference proceedings) which I came across on my flight back with Cathay Pacific from #gathering11 a couple of days ago. I had restarted reading "The Power of Pull" by John Hagel & John Seely Brown and stumbled across Coase.

In the early part of the last century, the entrepreneurial started companies such as Siemens, GM, ...  became great (and big of course) due to the fact that the density of the connectivity within the organization brought the scale of efficiency with it. Can we as a society learn from what found the entry in a Noble Prize in 1991? I am quite sure we can as my "economics guts" is telling me. "Economic theory has suffered in the past from a failure to state clearly its assumptions" (quoted: Ronald Coase, "The Nature of the Firm", Economica 4, no. 16 (November 1937), 386-405; see first lines on left, link to original).

Are we at a similar turning point in time when technological improvement accelerates in an exponential manner once again? This time the signs are different in detail yet the patterns are pretty similar.

Yet the question may be asked, "Do we have the common economic language in use that enables a dialogue and collective action as a whole?"

Reading thoroughly Ronald Coase's paper from 1937 will certainly open up the conversation and deeper understanding of what seems in the digital age so unpredictable and yet is just another form of economic evolution (free emergence of new species of businesses, value-creating ideas) and development (putting business models into reality and sustain them).

Living in a VUCA-world with common understanding (and wording) of what happens in the economic context will certainly move the collective body of wisdom (if released). What is your gut feeling?

DISCLOSURE: back in 1991 while studying economics in Bamberg, Ronald Coase just got the Nobel Prize for Economics. I could not possibly think of how this episode of life would crawl back due to the fact being called in on a mission to connect in Down Under - coincidence? Maybe, maybe not ;-)

Monday, June 13, 2011

Diamanten blühen erst mit der Fassung auf

Sollte Dresden doch nicht am Rande liegen dessen, was in der Welt gerade passiert? Oft wird heute noch vom "Tal der Ahnungslosen" gesprochen und die geografische Lage -fast- am östlichen Rand der Republik als Argument herangezogen.

Doch Diamenten müssen nicht unbedingt groß sein und jederman ins Auge stechen.

Vor rund 450 Jahren war Sachsen und somit auch der Sitz der sächsischen Kurfürsten der Ort, von dem aus die wirtschaftliche Entwicklung (hier wurde neben Silber eine Vielzahl von Erfindungen und Innovationen getätigt) Deutschlands maßgeblich geprägt wurde. Allein die Erfindungen, die aus Dresden kamen können sich sehen lassen - und das weltweit. Darunter ist die einäugige Spiegelreflexkamera, der Kaffeefilter, die Filterzigarette, und auch der Bierdeckel - Dinge, die jedem von uns bekannt sind und die wir überall in der Welt wiederfinden. Wer weiß schon, dass diese Dinge ursprünglich aus Sachsen kommen?

Dresden steht im Schatten von Berlin, das zudem in seiner Funktion als Bundeshauptstadt einen besonderen Attraktivitätsfaktor für Unternehmen, insbesondere der Technologie- und Kreativbranche hat. Aufgrund der Nähe zu Lobbyorganisationen und den politischen Entscheidern, hat sich vor Kurzem auch Google entschieden dort ein Researchcenter zu eröffnen. Sicherlich auch getrieben durch die kontroversen Erfahrungen mit Google Streetview, die während der Erfassung der ersten deutschen Städte aus der Bevölkerung zu erfahren waren.

Ein weiterer attraktiver Standort kaum zwei Stunden Fahrzeit von Dresden entfernt ist Prag. Dort ist schon seit jeher ein Zentrum der Kunst und Musik gewesen, das zudem technische Innovationsfreude insbesondere im Softwarebereich in den letzten Jahren zeigt. Entrepreneure wie z.B. Dave Ruzius [http://theworks.cz] haben dort inzwischen Aktivitäten aufgenommen.

Was hat der Diamant Dresden zu bieten in diesem Dreieck und welche Rolle kann es künftig für den wirtschaftliche Entwicklung insbesondere für den Raum zwischen Dresden - Berlin - Prag spielen?

Wie bereits erwähnt ist Dresden in der Vergangenheit Magnet für Erfindungsgeist und Innovationen gewesen - und das seit Jahrhunderten. Ein wenig scheint es im Reigen der großen Nachbarn unterzugehen und an den Rand der Wahrnehmung gedrängt zu werden.. Reiseführer speziell über Dresden in anderen Sprachen gibt es so gut wie nicht auf dem Markt - lediglich Erwähnung der Stadt mit einigen Highlights finden sich in jedem Reiseführer über Deutschland oder Sachsen. Insbesondere auf Französisch existiert kein spezieller Reiseführer über diese Stadt, die jeder, der einmal dort war, in sein Herz geschlossen hat.

Wie stets im Leben weiß man selten das zu schätzen was direkt vor einem liegt insbesondere, wenn man Teil des städtischen Umfeldes ist. Die besondere Attraktivität entdeckt man erst, wenn man sich aus dem "Zentrum" wegbewegt und Reisen in die Ferne unternimmt - bevorzugt in andere Städte (wie ich es oft zu tun pflege). In den letzen Jahren waren Boston (USA), Muscat (Oman), Jyväskylä (Finnland), Amsterdam (Niederlande), Belfast (Nordirland), Dublin/ Cork (Irland), Decin (Tschechien) darunter, insbesondere weil der von mir passioniert betriebene Sport Ultimate Frisbee mich stets zu Turnieren außerhalb Deutschlands trieb.

Amplify Festival 2011
Diesmal verschlug es mich für sieben Tage auf die südliche Halbkugel, nach Sydney und Melbourne, zu zwei außergewöhnlichen Konferenzen der ganz anderen Art. Bedingt durch meine seit vielen Jahren gelebte Passion, Kunst, Wissenschaft, Wirtschaft kreativ zu verbinden und daraus Neues zu schaffen [Link zu Artikel in Semper!] bieten mir die sich ständig weiterentwickelnden sozialen Netzwerke wie Twitter, Facebook, PI Community, LinkedIn, XING zunächst die Möglichkeit neue Welten zu entdecken. Dabei offenbart sich immer wieder auf's Neue, wie in anderen Regionen der Erde z.B. Technologie im öffentlichen Nahverkehr eingesetzt wird (1996 als ich in Barcelona zu einem Sprachkurs war fielen mir die mit Klimaanlagen ausgestatteten Busse auf , die zudem damals bereits mit semi-durchsichtiger Ganzfahrzeugfolie beklebt waren - zur damaligen Zeit gab es Beides in Dresden bei der DVB AG nicht). Das Unerwartete kommt oft, besonders dann wenn es nicht ewartet wird - dann ist es an der Zeit schnell zu entscheiden, denn das Möglichkeitsfenster bleibt oft nur wenige Momente oder Tage geöffnet.

In diesem Fall begann es Dienstag vor genau zwei Wochen als ich einen Anruf erhielt - mit der "Vorwahl" 061… Wie sich nach wenigen Momenten herausstellte war dies nicht Darmstadt sondern die Ländervorwahl für Australien. Das fünfzehnminütige Telefonat endete mit "You now got a free ticket to Amplify Festival 2011 which will start next Monday. You only have to figure out how to get here!" - Whow, what to say?

Diese Momente ergeben sich nicht alle Tage, doch wenn sie vor einem auftauchen möchte man darauf vorbereitet sein. Insbesondere wenn man sich in einer recht prekären Situation befindet (finanziell als auch jobtechnisch - denn gegenwärtig beziehe ich wie so manch anderer in Dresden Hartz IV). Die Frage, "Was mach' ich jetzt? Wie finanziere ich den Flug und die Übernachtungen? Lohnt es sich für eine Woche ins "Unbekannte" zu fahren? Was werden Eltern, Freunde und die Agentur für Arbeit sagen?"

Donnerstagfrüh war der Gabelflug nach Sydney und Melbourne im Netz gebucht, Freitagnacht (kurz vor der Abreise nach Australien) die ersten zwei Nächte in Sydney gebucht (Tip aus einem Reiseführer, den ich mir erst am Nachmittag noch schnell bei Hugendubel in der Altmarktgalerie gekauft hatte).

Was wäre gewesen, wenn die Chance nicht ergriffen worden wäre? Ich hätte eine Woche Dresden im Sommer erlebt, wäre zu "Dresden Gründerstadt" gegangen und alles wäre wie immer gewesen.

Doch es kam anders, ich wurde offiziell Twitterer und Blogger in Residence für die fünf Tage dauernde Innovationskonferenz Amplify Festival 2011 (Update 2020: Twitter-Account ist zwischenzeitlich gelöscht worden), die unter dem Motto "Everything Connected" inmitten Sydneys Old City im ersten Wolkenkratzer Australiens: AMP Building, 33 Alfred Str.

Was am Montagmorgen mit einem ersten Pre-Session Handshake mit John Hagel und Annalie Kilian begann, sollte die aufregendste Woche meines Lebens werden und vielleicht auch die überraschendste (Diamanten)-"Fassung" für Dresden (da tauchen nun bestimmt Fragezeichen auf ;-)) Annalie Kilian, die Organisatorin & Katalysator der Konferenz, war  mir auf Facebook und Twitter bereits seit geraumer Zeit gefolgt. Wir hatten diverse Chats geführt und Links getauscht als auch Kommentare gegenseitig auf den Facebookseiten hinterlassen - übrigens kam der Kontakt indirekt über eine gute Freundin in Melbourne, Marigo Raftopoulos, die mich nach einem Workshop am MIT vor drei Jahren zu Twitter einlud. Worauf ich damals erwiederte, es war Herbst 2008, "Was soll ich denn damit?". Ihre Antwort, "Vertraue mir, es ist das Richtige für Dich!" Sie sollte nicht zu viel versprochen haben damals.

Ein Diamant ohne Fassung ist, da sind wir sicherlich alle einer Meinung, nicht wirklich sinnvoll verwendbar als Schmuckstück. Bekanntermaßen ist Dresden einer der "Hotspots" der europäischen Hightech-Szene (u.a. mit dem Max-Planck-Institute for Cell Biology and Genetics, das höchste Anerkennung weltweit genießt und zwei Chipwerken, die Dresden als einen der relevanten Chipproduktionsstandorte in Europa etablieren). Neben wenigen großen Playern in der Szene, wie Infineon und GlobalFoundries (die ihre Stammsitze nicht in den Neuen Bundesländern haben) ist Sachsen Heimat vieler mittelgroßer und kleiner Unternehmen, die oft zu den "Hidden Champions" mit weltweit hervorragenden Ruf gezählt werden. Doch was fehlt ist die "Fassung", um die großen Diamanten mit den vielen kleinen der Region in einer Weise zu verbinden, dass diese wunderbare Stadt und ihre Bürger, seien es Opernsänger aus dem Ausland, Wissenschaftler, die sich zum Forschungsaufenthalt in der Stadt aufhalten oder Kollegen aus den USA oder von anderswo in der Welt, die bei GlobalFoundries oder Infineon arbeiten zu einander kommen und gemeinsam das schaffen, was nur durch Interdisziplinärität möglich wird.

Ein Netz von "Diamantenfassungen", um die bekannten und weniger bekannten Diamanten Dresden's zum Funkeln zu bringen - das war die Mission der vergangenen acht Tage in Down Under. Dresden als künftiger Highttech-Hub an der Schnittstelle zwischen MIT Cambridge, Silicon Valley, Amplify Festival, gathering11 Presencing Institute, Singularity University.... vielen mehr.

Wie sieht dann die Zukunft aus? BRILLANT!

Friday, June 10, 2011

The Future is not what you think

30 min of really mind-blowing talk by Nigel Cameron

MAIN MESSAGE

Politicians have to ask the "right" questions and view into the future has to be learned and taken into account.

Outliers have to be inside the conversation - to be moved from the outside closer to where the action is going on.


Many more thrilling videos from this week's most compelling futuristic, change, and technology driven event from beautiful and sunny Sydney, which maverickwoman (you got to know, an "outlier"of its best acting from the heart and love for people :)) has made largely possible with her exceptional team.

Cheers for tonight, more to come tomorrow
Ralf

Thursday, June 9, 2011

Mindblowing Days - Sydney is more than just Down Under ;-)

WORK IN PROGRESS - when reality hits the human mind [too much to capture in just one writing session ;-)]
Sydney Harbour Bridge
DAY 3 - I just imagine, "So much different to a day at Singularity University's Executive Workshop". A mindblowing experience where you certainly think, "Please let me keep in the room and around the folks to grab as much knowledge as a human could possibly grab" - at present rather impossible. Let's find out what sparked me by the speakers listed below:

@amcafee drilled the essentials today down to what Enterprise 2.0 is all about. Reminded me pretty much of my early days at BMW Leipzig. Back in the day (starting the set-up of the plant from 2001) all cutting edge technology like web cams, WiFi, Sametime (as an internal chat tool), Netmeeting (for desktop sharing), etc. were to be tested in the business context. From 2003 when joining the company I happened to become one of the "internal social network super nodes" across functions and departments - now this seems to trickle into the overall corporate world and I am still passionately fulfill this role - this time Down Under connecting thriving Sydney with the rest of world.

AMP host of the Amplify Festival 2011 with its chief creative evangelist Annalie Kilian has truly done an exceptional job on bringing people to the next connecting level across boundaries.

Barry with his true large vision on "One Laptop per Child - in Australia" really inspired the crowd -and myself. Remembering the two 12-year old chaps entering the CoOrpheum back in May 2010 getting on the various there in use mobile devices (Windows-, MacOS-, or Linux-driven) with natural ease. Asking them whether they wouldn't like to take their teacher and class mates over for some short sessions on using this new technology in class. Their answer was, "Oh, forget our teacher can't teach us anything. No use of bringing her here!"

Giving laptops to any child, whether in countryside or cities, would ease work load on teachers on one hand and opens up independent learning for the kids - a WIN-WIN for community and society in whole.

Thanks Barry for taking the initiative and driving it forward!

Debbie showed in her presentation that the 50-year-old ones are the relevant audience of the mobile age. Just not as fast pacing ahead like the youngsters - never mind, solid grounding with life-long experience embedded can establish astonishing results pretty soon ;-) Starting Ultimate Frisbee at age of 38 was not easy for me. Competing with the twens running me out on the field made me often felt behind. However worthwhile overcoming that emotional fear to act in more clever ways will be similar towards the new emerging technology.

As I met Craig William Dunn, CEO of AMP, yesterday as he was sitting beside me in the first morning session checking the Twitterstream on his Blackberry - there are certainly some first-movers in the corporate world. I have met one of those :-)

Ray Kurzweil at 4th Dresden Future Forum in Dresden certainly was a hit. John Smart however, brought this to really new hights.

Disrupting the current thinking!! It was such an inspiring session that I had to see it twice as my mind could not get hold of all and my fingers certainly went short of catching up as well.

Learning about the Chinese Facebook, YouTube and the different user experience that is so-un-Western. Thinking and asking about "When is the 'Black Box' coming to combine the regional social networks, so every culture can stay on its 'own ground' and yet connect?"

Learning form Michael first hand about the achievements of MIT Media Lab reminded me of Amy Smith's D-Lab (also in the "MIT sphere". Just too much to grab - and this happened already on DAY 1. Amplify Festival and this top on the edge crowd like Michael - just too much to grab with "normal mind" - had to use the "twitter mind" to keep track of thoughts ;-) More than 50 tweets a day as I learned today from a friend in Dresden. This is even way too much for some.

Advice on the sideline: don't even try to read all the tweets that are flowing through your timeline ;-) The right ones will find you anyway.

Gunter Pauli certainly was the thrill to what I have been up due to my passion in creating sustainable work environments sparking up people using their brains and creative to put innovative solutions into their daily life (whether work or private) they would've never thought before in their life. Gunter certainly showed in his most inspiring talk what is possible - only reshifting the business model's underlying assumptions and work across the value stream in order to create value at every point of the chain.

James Gardner  made it clear in his workshop session with the iPad - there is added-value to the business world using the iPad (or similar devices like netbooks). So much more handy than PCs or laptops. His talk about disrupting innovations in the "twisting field" certainly inspired not only me.

#SidelineAdvice: when you are stuck with a problem, can't get an inch further, step back, let go, and let your client, customer, or friend weigh in asking her/him the same question you're asking you all the time!

Wow, and now we are down to Lean (Thinking?) with Jim Benson first at the Lean Coffee Session down on 1st floor (on DAY 3 really with around 15 dedicated people from executive level to normal ranks, including John Hagel who played nicely the role of a "co-leader".

Having learned about "The Power of PULL" which John co-authored with John Seely Brown AKA JSP via an interview JSP gave at  a conference in 2010. Following John in the virtual space (like Twitter, Facebook) has given me great insights, new connections, new thinking - now the virtual meeting has finally evolved into the real meeting.

Jon Katzenbach with his talk reminded me very much of Edgar Schein, especially when he mentioned Ed's work. Just too much going on in my head that could be captured by writing. Thanks Jon for your most inspiring talk that made me again feel, "Yes, you never know enough until you embed yourself into the client system working on the same issues or at least stay with the folks on the frontline for a couple of days to capture the underlying culture of the organization"

To be honest I had no chance to visit one of Nigel's sessions what had a fair amount of short chat in the prep room on Monday and on Twitter in between. Sometimes it does not need much to connect with people, you just have a "guts feeling" that this is a "fit":-)

What counts for Nigel also applies for Mike Nelson. Only a few words on Monday, RT once in a while and will have chat tomorrow. Sometimes the connections grow slow and then the meeting is there ;-)

Again it was most inspiring about how far ahead India is in terms of innovation. Sanjay's talk reminded my one of my last system dynamics confererences in Athens in 2008 where a PhD student with family from India was presenting his work about the shift and disruption in the mobile telecommunication market. Seems like the "big shift" is not only coming from this side but as Sanjay made clear also from the educational side. Vivek Wadhwa, an entrepreneur and visiting professor in the Bay Area also talks a lot about India as the coming innovation country.

DAY 4 is about to follow soon - for today that's it (perhaps some honing here over the next couple of hours/ days

LIFE IS WORK IN PROGRESS - so why send out a 100% perfect blog post;-)

Last but not least: to all who wonder why I tweet, facebook so much and in so many directions, here is the reason!

Wednesday, June 8, 2011

Wochenende in Dresden - wunderbare Stunden

As promised, time has arrived to write about the second performance I saw at the Semperoper. This thime it is not a Ballet but an Opera: Rusalka by Antonin Dvorak.
An Opera very new to me, never seen it before (actually not often performed in Italy). For this reason, I was looking forward to discovering what was waiting for me on stage. Will I like this Opera or not? Will the modern scenography and coreography the Semperoper always put on stage meet my taste or not? These were some of the questions in my head. I only had to wait the show to start to get the answers I was looking for.
At 7pm the curtains open and the show starts. What I see on scene is not so clear to me. A scene is repeted again and again, always exactly the same, like a song that once played till the end, it starts again and again.....it was like an introduction to the Opera itself, a kind of making the audience ready to what was coming to be performed very soon.
A few minutes later Rusalka starts.
On the scene appears a beautiful young woman in a metal silver dress, Rusalka, a nymph. Rusalka is unhappy. Although she sings in Czech language, Dvorak's mother tongue, the audience can feel she desires something she is not sure she will never have. The subtitles in German language help me to understand what's happening on stage.
Rusalka is in love with a Prince. Is this not strange? A "woman" belonging to the water world is madly in love with a man from the emerged world. Have we heard something similar in the past, maybe during our childhood? Well, the answer is yes. Suddenly I remember Hans Christian Andersen's "The little Mermaid". Also in this fairy tale the beautiful little Mermaid belonging to the water world is madly in love with a beautiful Prince from the emenged world.
Both the little Mermaid and Rusalka want their desire to become true: leave their world and become part of the new world, the emerged world. Starting a new life with the man they love. They wrongly believe that all will be fine there, the life easy and no difficulty arise.
Rusalka desperately asks her father, the Waterman, to help her in becoming a "real woman". Parents always play a key role in children's life, don't they?
This is not an easy decision for him. The Waterman knows the difficulties Rusalka will meet in her new life, he knows she will suffer and feel sad and alone but above all he deeply loves her. Rusalka has made her decision and he accepts it and leave her free to live her dream. It is not always easy for parents to leave children walk the path of life on their own legs!
Becoming a "real woman" has however a price (as all in life!). Rusalka has to give her beautiful voice to the witch who transforms her in a woman (the same happens to the little Mermaid). Now without her voice Rusalka enters in the emerged world.
Soon life shows to be not so easy as she thought. The Prince's love is reveled to be not so strong, being constantly temped by many "sexy" woman.
Rusalka starts to feel alone and sad and to be voiceless doesn't help her. She lives with pain and anxiety her new life and wishes she can have her old like back.
Often during the performace a column rises from the ground and goes up to the sky. Every time one of the characters is on it, the one the attention is focused on while all the rest of the scene takes place on the floor. I found this tricky very interesting.
I end writing that, as in Hans Christian Andersen's "The little Mermaid", there is no happy ending for Rusalka. As for all of us, life is not always easy. What we believe to be the best choice, the one that will make us happy, often shows to be not the right one, not the one that will make us happy. As always every choice and decision brings inside its consequences.

Tuesday, June 7, 2011

Amplify Festival 2011 - DAY 2

Hi everybody,

This has been a second day pretty much as it could have been at Singularity University: "Blowing your mind ideas" (and it is going on for another three days here in Sydney, before moving to Melboune to #gathering11)

Todays actions were beautifully streamed on the plasma screen on the 25th floor of AMP - next time I'd love to see multitouch-oriented walls around and augmented. Perhaps we could get Sensory-Minds involved as sponsor and speaker - what do you thing Annalie?

Twitterstream as could be seen today between 7:45am - 5pm

To mention just a few distinguished speakers of todays sessions and meetings:

John Hagel - researching on the true change really comes from >>> Guess what? It's PASSION
John Smart - have you thought about creating your beloved "CyberMom"? - you should start NOW
Nigel Cameron - distinguished Washington-based think tank leader  (just be bit curious and explore the links - they don't bite ;-))
Amplify Festival 2011 - ghostwriting for those is someone call "naD" ;-)
Barry Vercoe - now moved back to Australia MIT Media Lab rock-star bring the OLPC (One Laptop per Child) to Australia (besides other countries - what a vision for future of EDUCATION :-)
Gunter Pauli - Awesome work on the "sideline" showing what "lean thinking" is really all about - doing more with less, creating more value with less resources :-)

... 10 min left and no power socket around in eyesight of nearest free WiFi venue - Cheers Mates, see you all in the morning :-)

Ralf

Sunday, June 5, 2011

Gelandet in Sydney - Amplify Festival 2011 und gathering11 warten

Hallo Dresdner,
Freunde und aufmerksame Verfolger im World Wide Web,

soeben bin ich für einen einwöchigen Konferenzaufenthalt in Sydney (Amplify Festival 2011) und Melbourne (gathering11) eingeladen worden, um von dort als "Blogger in Residence" live auf Twitter und meinen Blogs zu berichten.

Ich befinde mich auf Einladung in Australien und werde sowohl in Deutsch als auch Englisch auf Twitter, Facebook, XING, und anderen Social Media Kanälen schreiben, was sich hier unten weit weg von Europa auf technologischem Feld tut.

Auch werde ich versuchen, Dresdner Startups, Forschungsinstitute, Kultureinrichtungen und Unternehmen in den Fokus der bei den Konferenzen zu erwartenden hochkarätigen Sprechern und der dortigen Community zu bringen. Gerne stehe ich Skype (Frisbeeralf), Twitter (RalfLippold)  für Details zur Verfügung

Das Ganze fing letzten Dienstag mit einem Anruf (sprich Einladung an), Mittwoch mit einer mentalen Entscheidung, dies zu tun (auch wenn 50 Stunden Flug für eine Woche Australien verdammt lange erscheinen), Donnerstagmorgen Flug gebucht, Freitagnacht Hotel gebucht und eVisa beantragt (unbedingt dran denken für jeden Australienreisenden (!)).

Wer das Projekt "Dresden goes Down Under" unterstützen möchte folgt bitte dem Hashtag #EduJourney bei Twitter oder gönnt sich einen Blick auf die Unterstützerseite.

Einen guten Start in die Woche wünsche ich allen einen erfolgreichen Start in die Woche

Euer Ralf / Ihr Ralf Lippold

Stopover in Hong Kong - #EduJourney

Hello World,
Dear Friends around the globe,

This time comes a bit different post. Rather short as boarding time comes nearer. On my way to Amplify Festival 2011 in Sydney, where the motto "Everything Connected" says it all. If you wonder what this has to do with Semperoper Ballett (the ballet ensemble of Semperoper, the local opera house in Dresden) have a look at

#EduJourney

If you want to sponsor the arts & technology expedition to Down Under all of us appreciate it very much :-)

PS.: Flight is going in about 40 min at 9am (Hong Kong time) - I am really foward to one of the most challenging weeks in my life that got sparked by a phone call on Tuesday. Currently unemployed this is also a way to show what action, faith, and sticking to one's own goals and vision can lead up to - THANKS TO ALL OF YOU WHO HAVE MADE THIS ALREADY MADE REALITY xxxoooxxx :)

... have to rush ;-)

More on Twitter under #EduJourney & #amplifyfest

Thursday, June 2, 2011

Wochenende in Dresden - wunderbare Stunden

Finally it came after so long wait.



A few days in Dresden, visiting the city and of course attending a Ballet and Oper performance at the Semperoper.

I start with the Friday performance:

3 Colors Green:

Copyright: Costin Radu
The first piece is "Emeralds": As the name reads, the green Emeralds are on stage, first part of the Jewels choreography created by George Balancine (I already have written my impressions on this ballet as I saw it twice at La Scala). I love the sweet music and the soft movements of the dancers. Fauré's music is fantastic!

The second piece is "She was black". A completely modern piece, very different from Emeralds, simple and elegant choreography by Mats Ek. I already "met" him last year. At Teatro Verdi - Salerno the Italian Etoile Roberto Bolle performed Giselle (one of Mats Ek's most known pieces in Italy). The main theme was then love and madness.

Copyright: Costin Radu
Today Mats Eks' theme is TIME. Subjective and objective time. The way we feel it and we see it moving around us. On one side there is our personal perception of it, on the other side the Time with no feelings, no worries, no needs. Sometimes our subjective perception maches perfectly with the objective Time, but more often this does not happen. Is it not the same in our daily life?

In this "space" life runs from birth to death.

The "She was Black" of the title is exactly the Death. No one centimeter of skin can be seen, completely covered by black tights. Like a ghost it moves on stage, observing and interacting with the dancers daily life. For all the time of the performance no one knows if Death is male or female, only at the very end we discovered it was female. Like a mother gives birth, she takes life back.

Another figure hit me. A male dancer wearing an almost completely red dress with only one leg black. He (Raphaël Coumes-Marquet) dances always alone and always on his tips. He has never contact with the other dancers and he also moves like a ghost on stage.

The colour of the costumes caught also my interest. All male dancers dress completely in black, like the Death. On the female dresses, like on Raphaël's dress, the two colours (red and black) combine together, like to state that in life nothing is all black or red (white).

Copyright: Costin Radu
And now I come to the third piece: "Artifact Suite" by William Forsythe. A modern piece too. Also for this piece the Time is the main theme but in a competely different way. It is the beat and the backbeat to rule the game. The ballet assembly makes the choreography together with a few lights. A female in white tights guides all dancers on stage like puppets.

Two or three couples dance in the main role but there is no coordination among them. It is like if they cannot hear the music or if they feel it in a very personal way.

Only when the female or the male dancers dance alone on stage the perfect balance is reached, they move in a perfect coordination in the main role.

To cut the scene, like a sharp knife, the curtain goes up and down in the first part of the ballet.

All pieces were amazingly beautiful. I cannot say I liked one more than another. They all gave me strong feelings and opened my mind to new ideas and perceptions. Like everytime I attend a performance (Oper or Ballet), what is performed on stage touches my soul and makes me feel like if my body has no boundaries, a fantastic feeling, inexplicable.

So ended my first great evening at Semperoper.

My impressions on Rusalka (Opera) will come soon.